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Wig Wam frontman talks pre-show rituals, Norway, Non Stop Rock n’ Roll and, yes, Gene Simmons’ ability to sell horseshit

If you’re a fan of glam rock and if the likes of KISS, Alice Cooper, Van Halen and Thin Lizzy fill your CD player (um, I mean mp3 player), but you’re not familiar with Wig Wam then, let me be the first to tell you, you’ve been missing out – big time.

When Glam (vocals), Teeny (guitar), Sporty (drums) and Flash (bass) got together to jam in 2000, it wasn’t long before they turned their just-for-fun endeavor into a full-fledged glam rock revival extravaganza i.e. Wig Wam. The band hit the studio, dug out all the leather and spandex they could find, and set out on the road to conquer Europe and, seemingly appropriate, Japan.

Having just released their fourth in-studio album entitled Non Stop Rock n’ Roll, frontman Glam took some time to catch up with The Rock and Roll Report and give some honest, and witty, insights into everything from the disappointing state of Norway’s music scene, to the futility of drugs, to Gene Simmons’ potential ability to sell horseshit (and who could disagree with that?!)

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Artists and Bands

R&RR Takes on Frontiers Records’ Latest Releases

The rise of grunge in the early ’90s catalyzed the demise of many beloved (and equally bemoaned) glam ‘hairbands’. It was a time of bonehead lyrics, ridiculous guitar solos and even more ridiculous outfits, but it was also a time of big fat hooks, sticky melodies and boatloads of harmonies. The songs were “carefree rock” that, in most cases, were just plain fun to listen to. Like them or not, their popularity at the time cannot be denied.

As most of these million-selling artists were suddenly driven from the Billboard charts and shunned by their record labels, a small label called CMC International stepped up to become the afterlife for hairbands. This allowed a handful of them to continue releasing records through the ’90s, but many groups caved to musical fads; attempting to incorporate grunge and alternative rock at the expense of the sugary melodies and easy-to-understand lyrics that had earned them fans in the first place. By the end of the ’90s “big hair rock” was clearly dead and it seemed to have taken AOR with it.

So here we are, ten years on, and we’re seeing new labels like Italy’s Frontiers Records proudly releasing AOR and glam rock like it was still 1989. This is a real treat for those who miss the days of Slaughter, Poison and Warrant, and there is a niche of 30- and 40-somethings that will gladly shell over their cash to hear some new blood bring life back to this genre. Frontiers Records champions new bands that have taken up the glam baton, as well as “classic” bands that are still alive and kickin’, and for this week’s spotlight we delve into some of Frontiers’ latest releases from Keel, Jaded Heart, Wig Wam and Blanc Faces.