Reviews and Suggestions

CD Review: The Amplifier Heads “Loudah”

The Amplifier Heads is a Boston-based band consisting mainly of Sal Baglio. Sal Baglio is a singer-songwriter and guitarist who has spent over thirty years in the music industry creating straight-out Rock and Roll music. Most of that time has been spent with one band- The Stompers, a band that came together in the East Boston, Massachusetts area back in 1977. That band, strangely enough, is still out there performing the music that made them so popular all those years ago.

However, as far as The Stompers are concerned, the band mainly exists today as a tribute to the very music that they created way back when. What that means is that every so often, the band will get together to perform their music live onstage in a concert setting. But as far as new material is concerned, The Stompers have not created anything new, musically speaking, since their last release, 2009’s Stompilation, which combines music from every era of the band and puts it all in one place as a 21-track Best Of album.

While The Stompers have not produced any new music for an extended amount of time, the same, happily, cannot be said for singer-songwriter Sal Baglio. Even though The Stompers aren’t creating anything new, Baglio has created several solo albums of his own over the years. And then, there’s the new musical venture for Baglio; a band that takes Baglio’s style of songwriting and puts it out there in the form of a new project. That new project being called The Amplifier Heads.

The Amplifier Heads is a band consisting mainly of Sal Baglio as he provides vocals, guitar and bass to the tracks that make up the debut release called Loudah. Along with Baglio, producer Ducky Carlisle provides the drums for the project, and Jeff Keithline appears on bass for three of the tracks. For the rest of the instrumentation on the album, the music comes from several other musicians who add their talents to one or two tracks on the release each. Together as a whole, Sal Baglio and Company create an album under the moniker of The Amplifier Heads that makes use of different forms of Rock and Roll, staying solidly within a Classic Rock format.

The debut release of Loudah from The Amplifier Heads begins with the track “The Boy with the Amplifier Head”. In a time where we are trying to steer the youth of today away from bullying, “The Boy with the Amplifier Head” tells the tale of a kid who was picked on by everyone in his age group for being different. The track features a Rock and Roll sound that blends together some seventies-era music with just a little British Invasion influence thrown in. What results is a song that would fit right alongside music from the likes of Badfinger or maybe The Raspberries.

With the next track called “Beat Club,” Sal Baglio and Ducky Carlisle are joined on bass by Jeff Keithline. Together, the trio creates a Rock and Roll sound that sets the music in the middle of the seventies. The track feels like something that would have existed at the same time as Glam Rock. In fact, the main musical influence that seems to come through on the track is the influence of Marc Bolan and his band T. Rex. You could easily imagine “Beat Club” from The Amplifier Heads alongside a track like “20th Century Boy” from that band.

While the previous song of “Beat Club” brings to mind music from the likes of Marc Bolan and T. Rex, the next track called “Jaw Teaser” screams The Rolling Stones. One reason in particular for that is because Sal Baglio sings the words “Jaw Teaser” with the exact same delivery Mick Jagger uses when singing the words “Brown Sugar”. The track also seems to have a similar feel to the music that “Brown Sugar” has. Musically, there is some musical influence from the Stones as well, but that’s just because the track features a sound that keeps it squarely within the Rock and Roll music of the seventies. That Rolling Stones feel to the music even continues on the next track called “Starleen”. The song contains a straight-forward Rock and Roll feel to the music, with a bit of The Stones influence thrown in.

The Amplifier Heads featuring Sal Baglio is not just a band with a Classic Rock feel to the music. The band also seems to have a slight sense of humor when it comes to writing the lyrics to the songs; at least, that’s the way it seems with the track “Two-Headed Girl”. Because of the Glam Rock feel to the music once again, the track falls into the same basic musical time period as “Beat Club”. It is with the slightly humorous lyrics to the song that the listener finds Baglio describing a date with a woman with two heads (maybe a way of saying “split personality” without actually coming out and saying it?). The track once again would be perfectly fine being included within music from the seventies. And with the addition of a slight sense of humor, the track of “Two-Headed Girl” stands out from the rest of the album.

Loudah from The Amplifier Heads continues with the track “Big Wax Lips”. Just as “Two-Headed Girl” comes to an end, Sal Baglio and Duck Carlisle create yet another track with a sense of humor. Where the lyrics to “Two-Headed Girl” may suggest a split personality, the lyrics to “Big Wax Lips” contain many plays on words. While many may think the track is about different forms of candy, Baglio is not referring to that. Much of the Loudah release from The Amplifier Heads finds the music to be rather reminiscent of styles and bands from days gone by, mostly from around the time of the seventies. This places the music in the retro category. “Big Wax Lips” is also retro in feel; but for this track, Baglio and Carlisle create music reminiscent of the Akron, Ohio band The Black Keys.

Where most of the album features the playing and singing of Sal Baglio, the final track of the release called “Rock Candy” features the playing of drummer Paul Armstrong of the Syracuse band The Flashcubes, a band much like Baglio’s group The Stompers as they date back to the seventies like The Stompers do. In fact, the track “Rock Candy” is mainly Paul Armstrong hammering away rather impressively on the drumkit with musical accompaniment from Baglio. And much like the previous track, the song contains much than a slight reference to bands like The Black Keys. “Rock Candy” is very energetic as it brings the albums to a close and leaves the listener who is looking for real Rock and Roll rather satisfied.

In a musical world where much of the current bands and musicians today are creating music based within the Pop-Rock style of music heavy on the “pop,” it’s always refreshing to find a musician like Sal Baglio who takes his band The Amplifier Heads and creates real, honest Rock and Roll. Loudah from Boston’s The Amplifier Heads may just be the debut release for this outfit, but it’s a rather impressive debut. And with each track on the release being mainly below the three-minute mark, the album is very listener-friendly, as well as radio-friendly. For those looking for straight-out Rock and Roll with plenty of energy, look no further than Loudah from The Amplifier Heads.  


For a taste of the Rock and Roll music from Sal Baglio and his band called The Amplifier Heads, check out the first track from the Loudah release called “The Boy With the Amplifier Head”.

To check out the entire release of Loudah from The Amplifier Heads, click on the album cover below:  

Reviews and Suggestions

CD Review: Mark Huff “Stars for Eyes”

Nashville-based singer-songwriter Mark Huff has been creating music for nearly twenty years. Whether he was down in Las Vegas or in Nashville, Huff has always found himself being able to draw from many different influences to create his music. The love for creating music began when Huff and his brother created their first band. That initial group got the juices flowing for Huff and after taking the British Invasion and Punk influences from that initial band; he stared adding more influences into his original music. And as of today, the resulting music from Mark Huff is a mix of several genres.    

For his new album, Mark Huff’s Stars for Eyes begins with the track “Prison Door”. The beginning of the track features the sound of an electric guitar and keyboard that lay down a strong musical riff. Before long, the rest of the instrumentation joins in and the track becomes a Rock and Roll track featuring a sound that would fall somewhere between an eighties sound and one from the nineties, with a stress on the eighties vibe. The timeless feel of the track will appeal to lovers of Rock and Roll that has an energetic feel to it.

Immediately, the new release from Mark Huff changes musical directions. The album continues with the “title track” of the release. “Stars for Eyes” contains a pace that is quite a bit slower than the previous track. The feel of the music has changed as well, as the music on this track contains more of a Soul-based feel to the music. The track still contains some Rock and Roll feel, which gives the track some depth. The Rock/Soul feel of the track actually gives the song a “space-y” feel which only adds to the title and lyrics of the song.

Just like when the feel of the music changed between the tracks “Prison Door” and “Stars for Eyes,” the feel of the music changes once again with the next track of “Carolina Blue”. With the pedal steel on the track, the song features a slight Country feel to the slower, easier pace to the song. The resulting feel can only be described as Americana since the track is basically equal parts Country and Rock & Roll. The song “Carolina Blue” comes across as a track with definite “crossover” potential as it will draw fans of both styles to the music.

With the song “Big City Down,” Mark Huff and the rest of the band creates a track that would fit along the same lines of the track “Carolina Blue” before it. The Folk-Rock track comes complete with a steel guitar that is the instrument that shapes the feel of the track the most. “Big City Down” deals with a small-town person thinking about the bigger city and the potential it holds. The track feels as if it would have been right at home on AM radio back in the seventies.

Speaking of retro sounds, the track “God in Geography” also contains a sound that takes the listener back. With this song, however, the resulting music on “God in Geography” feels as if it could easily have come from New Wave Rockers The Cars. As the keyboards on Mark Huff’s track feel as if they were straight out of the eighties, “God in Geography” would have been right at home on radio during that time period.

Mark Huff and the rest of the band once again change the direction of the music. The track “Nightingale” finds Huff and the band adopting a more Countrified sound on this track. The With the inclusion of the piano, steel guitar and even Jews harp all blending together, the resulting track brings to mind the music of Michael Nesmith of the Monkees and his group The First National Band. The musical blend on the track will please any Country fan and the inclusion of the Jews harp gives the song a slightly humorous feel to it.

As the listener goes through the Stars for Eyes release from Mark Huff, the eleven tracks continue to change musical directions. The album never stays in one musical mindset very long before the sound of the music changes. As the songs from Huff are written well, the musicianship on the album is just as strong, helping to make the release an enjoyable listening experience from the first track to the last.     


To check out the music of Mark Huff, check out the song “Big City Down”. 


For more information, check out Mark Huff’s PR firm of Whiplash PR & Management by clicking on the logo for the company.







To purchase a copy of the Stars for Eyes release from Mark Huff, click on the album cover below: 




Reviews and Suggestions

CD Review: The Kavanaghs “Headlights”

A lot has changed since the first day when the Argentinian band The Kavanaghs came together as a group. Since the early days of the band, members have come and gone and the style of music has evolved. And even with all of that, the band has continued to create their own style of music.

When The Kavanaghs first came together, the band created their sound imitating the style of bands like The Beatles and other British Invasion groups. Soon after, however, the band started incorporating some of the Post-British Invasion music from the likes of The Raspberries and Badfinger. And more recently, the band has incorporated more modern sounds from British bands like Coldplay. This ever-changing sound that the band has been creating has made their two studio albums, 2009’s Self-Titled release and 2011’s Love Conquers Pain, feel miles apart from each other. But that simply means that the band has been stretching as musicians and a group as a whole.

Even when the band released their recent live release of Love Conquers Pain (Live) (although the album was recorded back in 2011), you can hear the progression of the band as the earlier tracks from the self-titled album that were included in that release have a definite different quality to them, as if the band’s influences were indeed affecting the sound of the band’s music.

The Kavanaghs have recently returned with their latest album of original music. The 2017 studio release from The Kavanaghs is entitled Headlights.  For this album, The Kavanaghs are composed of Tiago Galindez: Bass – Vocals, Seba Cairo: Guitars – Synths – Vocals, Diego Vázquez: Guitars and Franco Barbieri: Drums. The album tracks were split between Tiago Galindez and Seba Cairo as songwriters.

Headlights from The Kavanaghs begins with the track “Neither Do I”. On this track, the listener can truly tell the progression of the band’s sound as the British Invasion influence is all nearly non-existent. What is there is a very modern take on the Rock and Roll sound. “Neither Do I” has a strong timeless feel as the guitar-driven track would easily fit on any Top 40 radio format. The track even includes a very infectious chorus that will have the listener singing along.

With the track “Your Life is White,” the band takes their Rock and Roll sound and makes it just a little bit more commercial. As the listener puts the song on, they’re hit with a song that has a very undeniable musical influence from the band U2. In fact, the track could easily fit within that band’s song library and no one would even know…minus the Argentinian accent in Tiago Galindez’s vocals, that is. Like the previous track, “Your Life Is White” is ready-made for radio play. It could easily be a single off the release.

While most of the music on The Kavanaghs’ Headlights release has a modern feel to it, the band changes directions on the track “Like a Ship”. With this song, the band reverts their sound back to a more retro feel that would have fit with early Rock and Roll. In fact, the track sounds as if it could have been something from an American artist like Dion or even Del Shannon. The music on the track has a light but definite Doo Wop influence. At one point, the vocals on the track even feature an aged feel to them as if the vocal quality had faded over time. “Like a Ship” is a nice reminder of where the band had come from, musically.

As mentioned before, the Highlights album from The Kavanaghs was split between Tiago Galindez and Seba Cairo as writers. However, with the title track “Headlights,” the two songwriters collaborated together on a track that has a heavy Pop influence to the music because of the acoustic guitars that help make up the music. The result is song that features a lighter feel to the music as the song would fit more into the Light A/C (Adult Contemporary) radio format. Along with the acoustic approach, the lyrics of the track are handled by both Galindez and Cairo as they show off their ability to harmonize with each other. The acoustic approach on this track gives the listener just a taste of something special while focusing on a different side to the band.

The pace of the music is once again picked up on the track “Time and Time Again”. With this track, the band seems to have taken their song back into the eighties for a song that would have felt right at home on the radio at the time. One element that picks up the eighties vibe is the inclusion of the keyboards from Seba Cairo that give the song a definite dated feel. And while “Time and Time Again” does have that slightly dated touch, the track is still fun to listen to and shows off yet another take on the band’s sound.

The Highlights album from The Kavanaghs continues with the track “High Tide”. The track features a melodic Rock and Roll sound that is very reminiscent of Coldplay. However, the track’s guitars also seem to suggest a little influence from New Wave. Like other tracks on the release, “High Tide” feels like it should be a single for the band.

The newest release from the Kavanaghs comes to a close with the song “Maybe”. Like other tracks on the release, the band channels their British influences for this song. The track features a melodic Rock and Roll approach very much like that of the song “High Tide” that came a few tracks before. The track starts off rather subtly but the energy picks up late in the track with the addition of a strong electric guitar solo that is accompanied by the lyrics being delivered in a harmonic way. While some would include a quieter song as the last track, “Maybe” contains a slightly quiet feel but still has plenty of energy.

Headlights, the newest release from The Kavanaghs, is easily the strongest album of the three that the band has put out. With this album, the Argentinian quartet shows how far they have come as a band and also shows that their sound has evolved over the years. If you are unfamiliar with The Kavanaghs, this is the perfect place to begin getting to know the band.

To hear just a bit of The Kavanaghs, check out the video to the title track “Headlights“.

For more information, check out the band’s record label Eternal Sunday Records. Also check out the band’s American distributor, Dreamscape Records.

To check out the entire Headlights release from The Kavanaghs, click on the album cover below:

Kavanaghs Highlights


Reviews and Suggestions

CD Review: The Kavanaghs “Love Conquers Pain (Live)”

The heavily British-influenced band The Kavanaghs are a pop/rock band that makes their home in Rosario, Argentina. Together, the four-piece band has evolved while during their time together as a group. Having begun as a band inspired by the likes of The Rolling Stones, The Beatles and other British Invasion bands, as well as Post-British Invasion bands such as The Raspberries and Badfinger, the band would later merge that style with more current sounds from the likes of Coldplay. That love of the British style of Rock and Roll music would lead the band to create two albums of original music: 2009’s self-titled release and 2011’s Love Conquers Pain.

Although the band has been quiet of late, they have since returned with a new release. The new album features the band as they performed live in concert. The resulting album, 2017’s Love Conquers Pain (Live). The release features many of the tracks found on the original Love Conquers Pain with a few tracks from the band’s self-titled release thrown in for good measure. For the live album, the band consisted of Tiago Galindez: Bass – Vocals – Piano, Ale Pin: Guitars – Vocals, Diego Vázquez: Guitars and Seba Cairo: Drums – Vocals (shown in the concert photo above) with special guest musicians: Juan Manuel Garassino: Piano – Vocals – Acoustic guitar, Mariano Barabani: Piano – Hammond.

As soon as the listener puts the Love Conquers Pain (Live) album on, they can hear the talent that exists within the four members of the band. From the very first note, the listener gets a good idea of how tight The Kavanaghs are as a live ensemble.

Love Conquers Pain (Live) begins with the track “Tonight”. The song ends up being one of the more original takes on any of the band’s material as the arrangement of the song for the live setting starts off with an extended introduction that adds a new element to the song. That new introduction makes the song feel very fresh as the band begins the set with one of their best and strongest tracks.

Just like the first track of “Tonight,” the track “Come On (Before the Wind)” finds The Kavanaghs revisiting their song with a fresh approach. The original track had a very timeless feel to the music. With this version, the band takes the track in a more New Wave direction, especially with the inclusion of the additional keyboards on the track. Just like the track before it, the new version of “Come On (Before the Wind)” takes the music from the band and makes it seem tighter and stronger.

One of the tracks that feels very much like the studio version from the Love Conquers Pain album is the track “Those Days”. On the track, the band performs the song almost as if they had just recorded the song. One standout element in the live track is the three-part harmony from the musicians as they sing the chorus to the song.

The vast majority of Love Conquers Pain (Live) has been taken, rather obviously, from the band’s 2011 studio release entitled Love Conquers Pain. And because of that, the live release is a rather good indication of what the band’s sound is like. The few tracks that come from The Kavanaghs’ 2009 self-titled album is where the listener who is familiar with the band’s musical output would notice the difference.

On the songs “Hyde Park,” “All the Time” “English Town, English People” and “Cat in Town,” The Kavanaghs had recorded their self-titled release when they were still rather largely influenced by the early days of The Kinks, The Beatles and other British Invasion bands. On this new live album, these four songs are the tracks that truly show the band’s progression as a group coming into their own style and sound. Perhaps the track with the biggest difference in sound is the song “Hyde Park”.

Taken from The Kavanaghs’ 2009 self-titled release, “Hyde Park” was a mostly-acoustic track that featured a very strong Beatles-like influence. On the live release, the band transferred the song from the acoustic realm into the electric realm, adding electric guitars to the song’s musical mix. The choice to go electric on the song means that the song now has a much later Beatles influence to the music. It also makes the song seem a little more timeless, as far as Rock and Roll is concerned.

When comparing the live versions of the tracks chosen for the Love Conquers Pain (Live) release to the original ones, the newer live tracks on this release breathe new life into the music of The Kavanaghs. And with the band having had two different styles, one being very influenced by the British Invasion era and one being influenced by the later styles of British Rock and Roll, this live album of music from the Argentina-based band The Kavanaghs helps to unify the band’s two sounds into one style. The result is a release that proves that Rock and Roll is truly international.

To hear just a little of the music from The Kavanaghs live release, check out the song “Tonight” from Love Conquers Pain (Live).

For more information, check out the band’s record label Eternal Sunday. Also check out the label’s Facebook account.

To check out the latest release from the band The Kavanaghs, click on the album cover below:

Kavahaghs Live

Reviews and Suggestions

CD Review: Tom Guerra “Trampling Out the Vintage”

Connecticut-based guitarist and singer Tom Guerra has spent many years playing in a rock band called Mambo Sons. Together, the trio that also includes vocalist/bassist Scott Lawson, and drummer Joe “the Cat” Lemieux has released several albums. Those releases featured music that combine rock and roll with a large amount of blues influence. The band last released an album back in 2009 which was a double CD release called Heavy Days. Since then, however, the trio has been silent.

But that changed recently when guitarist and singer Tom Guerra went out on his own and released a solo project. Back in 2014, Guerra celebrated the release of the album All of the Above. While Mambo Sons created music that was heavily blues-based, Guerra decided to incorporate more influences into his sound. The more influences, the better-rounded the style of Guerra’s sound. And while Guerra does include more influences, he has also decided to take his music in a much more Classic Rock type of direction.

Two years have passed since the release of that album. Now, Guerra is back with yet another solo album. For the new release, Tom Guerra turned to Kenny Aaronson on bass guitar; Morgan Fisher on piano; Mike “Doubledog” Kosacek on drums and percussion; and Matt Zeiner on piano and Hammond Organ. Together, they make Guerra’s new album come alive. The new release from Tom Guerra is entitled Trampling Out the Vintage.

Trampling Out the Vintage begins with the track “All Purpose Song”. The track finds Guerra creating a song that would have existed back in the seventies alongside people like Bob Seger. The track features a very strong, driving feel to the music that revolves mainly around the guitar from Tom Guerra. However, the track also features a strong piano part that is as essential to the track as the guitar is. In fact, it truly is the piano that is the standout instrument on the track. “All Purpose Song” is a great song for those looking for the sound of the seventies. The track, however, is not the “all-purpose song” that the track itself actually describes. So just keep looking.

The new release from Tom Guerra continues with the song “Dr. Nick and Elvis”. The track is another that features a strong, driving pace to the music. The style of the guitar playing on the track and the feel of the lyrical delivery as well as the production quality on the guitar solo all add up to track that seems to scream Marc Bolan and his British Glam Rock band T-Rex. The song would easily stand up next to that band’s hit single of “Bang a Gong”.

The style of the music changes dramatically on the next track. For the song “Tell the World,” Tom Guerra finds himself being influenced by the likes of bands like The Raspberries.  That band shaped the sound of their music around the sound of the music being brought into the United States from England during the British Invasion. On “Tell the World,” Guerra’s song features the jangly feel of the guitars that were present within The Raspberries’ songs like “I Wanna Be with You” or “Go All the Way”. With the track’s commercial feel, “Tell the World” would have fit well with other songs on AM radio back in the seventies.

With the track of “BYOB,” Tom Guerra creates a track that takes his style back just a little bit from the style of “Tell the World”. “BYOB” feels and sounds as if the track would have been perfect for the time of the “Summer of Love”. In fact, the mindset of the lyrics comes across as being close to “free Love” as “BYOB” stands for “bring your own buzz”. As far as the music, the song sounds as if it had been influenced by the 60s era Rolling Stones.

One of the strongest tracks on Trampling Out the Vintage is the song “Pay in Blood”. The track is also one of the most unusual as the song alternates between one style and another. At one point, the music on the track feels like it would fit inside of the musical style of 70s Classic Rock. And when the track enters the refrain section, Guerra creates a musical and lyrical style that is undoubtedly very Zappa-esque in nature. The refrain feels as if it was influenced by songs from Frank Zappa such as “The Torture Never Stops,” one of Zappa’s darker songs.

For the track of “Supermoon,” Tom Guerra seems to invoke the style of Tom Petty. In fact, the song contains the style of Petty while he was part of the Supergroup The Traveling Wilburys. The track’s refrain even sounds as if Petty could have been joined by the rest of that band as they sang the lyrics of that refrain. The guitar solo even feels like something from Petty.

For his new release of Trampling Out the Vintage, Tom Guerra does a great job of using the various influences he has picked up throughout the years. The resulting album’s 10 tracks are widely varied from one track to the next while they still contain a solid Rock and Roll base. Guerra has put out yet another album that would be very welcome in any Rock and Roll listener’s music collection.

To check out the music from Tom Guerra, check out the song “Pay in Blood“.

To purchase a copy of Trampling Out the Vintage from Tom Guerra, click on the album cover below.



Reviews and Suggestions

CD Review: The Kavanaghs “Pop Power”

Through its history, Rock And Roll has had a long and wild path that has made its way into many different cultures. While England and America are the most widely accepted locations for where new music comes from, countries such as Germany and Canada have also added their share of history to the music genre. And with more and more people becoming familiar with the sound of the music, Rock and Roll has found its way into almost every country on the planet, including down in Argentina. It’s in Argentina where you find the band The Kavanaghs, a band of four musicians (Tiago Galíndez on Vocals/Bass/Piano, Seba Cairo on Vocals/Guitars, Diego Vázquez on Guitars/Backing Vocals, Franco Barbieri on Drums) who have been making their own brand of Rock and Roll music for years.

Over the years, The Kavanaghs have created their own music that has been largely influenced by the sound of the British Invasion and then the American response that followed it. For their influences, The Kavanaghs have mentioned bands like The Beatles, Badfinger and The Raspberries (among others) as those bands that have inspired them the most. And when listening to the music of The Kavanaghs, you can most definitely hear each of these influences coming through.

Reviews and Suggestions

CD Review: Johnny Beauford “A Pig Eating Past Love”

Johnny BeaufordJohnny Beauford is a Dallas, Texas-based singer-songwriter who has been spending a lot of time creating music. When he is not making his own music, you can find Johnny Beauford in the Dallas-based bands Jack Kerowax and Bravo, Max! In his short time on the scene in the Dallas, Texas area, Beauford seems to be making a lot of noise as he has already been nominated for Best Alt-Country/Americana Act for his time as part of the band Bravo, Max! And after putting out his debut solo EP called Lo-Fi back in 2013, Beauford is back in 2014 with the next release in his musical catalog.

Johnny Beauford’s new release is called A Pig Eating Past Love. For this release, Beauford took the one-man army approach and created most of the album on his own with a few parts on the album being recorded by a few of Beauford’s friends. And while one-man bands can sound very one-dimensional, that is not the situation with the feel of the music on this release.

Reviews and Suggestions

CD Review: The Kavanaghs “Need a Pity Day EP”

Argentinean band The Kavanaghs has come a long way from their humble beginnings as an Argentinean Beatles cover band. Ever since they started out playing the music of The Fab Four and other groups from that time period, The Kavanaghs have continually shaped their sound to include more and more bands and styles of today so that their current style sounds more like Badfinger and British bands from the late ‘90s into today such as Coldplay, Oasis and U2. Their current sound can be found on their 2011 release Love Conquers Pain. The band is currently promoting that album and has since released several songs from that album as singles; the latest of which is “Need a Pity Day”.

Live Rock and Roll

In Concert: The Kavanaghs begin tour in Cleveland

KavanaghsThe country of Argentina is home to The Kavanaghs, a rock band whose style was largely influenced by roots rock artists as well as 60s British Invasion bands like The Kinks and The Beatles. In fact, The Beatles have been one of the biggest influences on the band.
Of course, some of the bands that came after the British Invasion have also been big influences on the members of The Kavanaghs. One of the post-British Invasion bands that influenced The Kavanaghs was The Raspberries from Cleveland, Ohio.
Reviews and Suggestions

CD Review: Cotton Mather “Kontiki Deluxe Edition”

Prior to my becoming a music journalist and reviewer, I was still paying attention to the more unusual and unknown bands and artists; the ones that were being promoted by the record stores and not really being promoted by the mainstream radio. The self-titled release from the band Naked, the album Notwithstanding from Chalk Farm and the mostly ignored band The Family Cat and their Magic Happens release are three such albums that were better than the coverage they received. Each of these three releases was well done, enjoyable to listen to and were impossible to understand why they didn’t receive the attention and respect they deserved. Another band around during that time period that was all but ignored in the U.S. music industry (so much so, I never even heard of them at that time) was Austin, Texas-based Cotton Mather. It was in 1997 that they released a classic pop/rock album entitled Kontiki. At the time, this album was almost completely ignored here in the U.S.