Vancouver’s Kill Matilda gets personal in this audio-visual slideshow presentation extravaganza. Dusty (vocals, guitar) and Mykel (bass) talk homelessness, playing Blankfest Quebec 3, their move out East, relationships and much more. So what in the heck are you waiting for? Press PLAY (and tell everyone you know to do so too), already!
It’s ba-ack, it’s bigger and better than ever and I am so excited for it that it’s almost sick. What is this magical “it”? No guesses? Okay, I’ll give it to you – Indie Week 2010! The annual musical festival, which showcases the best in indie music from around the world, will be taking over Toronto from October 13 to the 17. This year, Indie Week will be reigning its musical powers over 15 of the city’s most beloved venues (think Bovine Sex Club, Hideout etc.) and showcasing the talents of 150 (yes!) bands. But with so many shows to choose from, there does come a downside – how in the world can you take it all in? I hate to be so brash, but you can’t, so I’ve decided to make the task of picking a little less daunting by offering up some of the shows and bands I personally think are must-sees. I really hope I don’t disappoint you with my musical judgment. If I do, I’m sorry. (But I probably won’t.)
[…Continued from August 27th]
Taking a look at things from a musician’s perspective Asher advises bands looking for a PR rep to ensure that whomever they choose, they “believe in the band first. The PR guy should be your number one fan. If he’s not your number one fan, in your corner, you’re screwed ‘cause then he’s not pitching the story right, or the band right.” It also doesn’t hurt to do some research and find out, “who has he worked with? A PR rep’s roster can say things to you. Check the press coverage he got for those bands […] simple Google nowadays, or you can always ask the PR guy for his portfolio.” As for a final, and practical piece of advice, he adds that, “you have to find the right PR person that fits your budget. I’ve always believed the more expensive a PR guy is, usually it’s because he’s that good.” Pausing he points out that whether dealing with a PR rep, a manager or anyone else in the business, if as a band you want to prove you’re serious and committed, be prepared to show “what have you done before I’m even in the picture? […] What have you done as a band by yourselves ‘cause that’s going to say these guys will work hard, they’ve worked hard on their own and now they’re on a level that they need help.”
If a band is uncertain if they should be searching for a PR rep Asher’s advice is simple: “If you don’t know what a PR rep is, you don’t need one,” he says and continues, “It is mostly bands who are touring […] and have an album out and are serious. If the band is going to be active, I can keep active. If a band is just going to sit on its ass and do nothing, I can’t push it.” Elaborating he adds, “What bands should know is that when they tour they get the most press coverage ‘cause media guys want to see a live show […] they need the visual, you know, it’s a product [and] bands forget they’re a product.”
A job offer that fell through, an unattainable and dull corporate PR world, and a move from Montréal to Toronto, and back again are what pushed Jon Asher to found Asher Media Relations and step onto the path to becoming a Music PR extraordinaire. As the company’s slogan states, AMR offers “Creative Publicity for Creative People” and helps talented indie acts make a name for themselves in the industry, gain a following and achieve success.
“I graduated from Corporate PR at McGill College […] and I moved to Toronto on a lead well, on a confirmation of a job in PR, but it didn’t go as planned. I found myself there for a while, I stayed there after the job fell through, looked for jobs in PR but that didn’t work,” he recounts. Unable to find what he was looking for he opted to return home to Montréal on the basis that “I was already in the music scene [in Montréal] and I was in PR but I didn’t really like corporate, so I used what I had here and I started from scratch. Hustling, hustling, hustling, and found my guinea pigs pretty much,” he explains.
The first band to have faith in him was local collective Special Ops, with whom he works to this day, and signing them in 2007 he soon left his daytime job to officially start Asher Media Relations in September of that year. Then came Forty Birds, a local metal band, and since then Asher has been hard at work building his repertoire.
Recounting his beginnings in the industry he recalls, “When I started, what I knew from the get-go, what they drill in your head [in school], is research, research, research! That’s what I did, I researched all the media: a lot of phone calls, a lot of emails to introduce myself as a new player. I even set up personal meetings with editors and I’d be like “I’m doing this now so I want to meet you ‘cause I want to develop a business relationship.”” As he soon reveals, personal relationships have been a key to his success. “The real key is to be down to earth, be real with people and build relationships […] the whole music industry is based on relationships. It’s basically who you know, what you know […] A lot of favors back and forth. You don’t think about it but favors for this person relates to favors down the road for you,” he explains.