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PIGSHIT: GPG ON GG

A full disclosure right up front, one and all:

‘Way back in the 1980 hey!day of my fanzine, The Pig Paper, a certain Kevin Michael Allin sent over a sweetly autographed, stuffed with promo material copy of an album called Always Was, Is and Always Shall Be, which had been newly issued on none other than David “The Pope Smokes Dope” Peel’s Orange Records imprint. It sounded then, and remains today, a most spirited indeed collection of incredibly powerful pop in that classic Stooges / New York Dolls mold, with lyrics – especially heard in a, shall we say, immediate post-Pistols frame of ear – not really all that “shocking” whatsoever.

Now, Kevin Michael grew all the way up to become, of course, GG Allin, who by the time of MVD Visual’s grand, new Live in Boston 1989 DVD was still quite happy to remain focused upon the fun as opposed to the, well, feces of his craft. If you catch my career-spanning drift. For example, even before mounting the stage at The Middle East in Cambridge, MA on our particular hot August night in question, this disc treats us to thirty-five full minutes worth of GG, long-suffering bassist/brother Merle, and their young AIDS Brigade band “Gettin’ made up for the show,” as this chapter’s most accurately called. Why, we can even spot vintage Elvis on the wall, the carpet underfoot seems to have actually been vacuumed for the occasion, and the guys before the mirror seem no more rotten or vicious than, say, Monkees kept up after eleven.

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PIGSHIT: In the Bee Gees’ time – A new documentary on THAT band

2010 marked the 50th (!!) anniversary of the Bee Gees’ career as fully professional all-singing, all-playing musicians, songwriters, and performers.

This January 12 marks eight years since self-styled “man in the middle” Maurice Gibb’s tragic passing. And in this new year of 2011, remaining Gibbs Barry and Robin are actually threatening to continue recording, and perhaps even tour the globe, beneath the hitherto-mighty Bee Gee moniker.

This is a proposition I frankly find quite incomprehensible to fathom, let alone purchase three-figure tickets to witness in person. Though with Messrs. Pete and Roger insisting on conducting business both on stage and off as [sic?] “The Who,” I do suppose anything is possible (if not exactly practical and/or ethical).